Helmet Nachos - Cincinnati Magazine

Nachos! In a Helmet! Oozing with fake cheese and ground beef and maybe shredded chicken. For Cincinnati Magazine a few months back.

Phony Cereal Boxes for Cincinnati Magazine

Illustrations for "The Last Detail" column by Bob Woodiwiss. Satirical cereal boxes poking fun at local Cincinnati things that I don't know anything about - or didn't until now. Aglamesis Brothers is a Roadfood-approved candy shop known for their ice cream; Indian Hill is a super rich suburb. Probably the closest I'll ever get to illustrating Wacky Packages.

These were in the recent food issue of Cincinnati Magazine, which also had a great write-up on Dixie Chili - whose Alligator Coney I devoured, painted and wrote about for Serious Eats a while back. And lots of props for gourmet hot dog restaurant Senate.

Burger Heaven

Check out this crazy exploded burger illustration for Cincinnati Magazine's "40 Best Burgers" Issue. The original painting is so big it hung off the sides of my drawing table. Seriously one of the coolest freelance jobs I've done.


Also- Cincinnati's best Veggie Burger. Honestly I had no idea Cincinnati had such an awesome food scene outside of 4-way chili. Places like Senate that do wild burgers along with korean kimchi & shortrib hot dogs and even a croque madame with ham and hot dog on brioche drowned in bechamel sauce and a fried egg. Wow.

Cincinnati in NYC

Illustration for Cincinnati Magazine, about a bar in NYC that serves Skyline Chili & Graeters ice cream during Bengals games for displaced Cincinnatians.

Every time I draw Cincinnati Chili or Coneys people go wild and I get emails from strangers and friends who I didn't even know were from Ohio. You people have some serious pride for your chili.. and for good reason, it's great stuff.


As far as the process goes the concept was pretty straightforward. Bengals fans in a NYC bar with piles of Cincy chili and Graeter's. Lucky for me, one of the bars that does this - Phebe's - has an awesome "olde time NYC" feeling so the background is based on what the bar actually looks like.



So the next step is always to decide whether to do an actual painting (pretty time consuming for this much detail) or just do pen & ink and pop the colors in with Photoshop. Or this hybrid technique that I've used a few times, I think most successfully for a Willamette Week food guide cover.

I do the line work first, scan it and print a copy out, then transfer an outline onto printmaking paper. Then I paint a few important elements and anything that I want to have texture, and also establish a general color scheme, which comes a lot easier to me with paint than a blank screen.

Next comes the photoshop nightmare of lining up the painting with the black line, cleaning up the edges (or not) and filling in all the remaining details. Usually at this point it looks like hell and I scream at my computer, but eventually it looks sort of awesome.